Are contemporary art theorists and critics speaking a language that has lost its meaning? This book takes a linguistic approach to the key issues and shows that what have been considered problems of aesthetics and artistic justification often have their source in underlying linguistic assumptions.
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Are contemporary art theorists and critics speaking a language that has lost its meaning? This book takes a linguistic approach to the key issues and shows that what have been considered problems of aesthetics and artistic justification often have their source in underlying linguistic assumptions.
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