This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.
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This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.
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