Focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centuries - feather mosaics, geographical maps, and graffiti - to propose that the singularity of these creations does not arise from a syncretic impulse, but rather from a complex process of...
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Focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centuries - feather mosaics, geographical maps, and graffiti - to propose that the singularity of these creations does not arise from a syncretic impulse, but rather from a complex process of "untranslatability."
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