Argues that the largest extant theatrical tradition of the third and second centuries BCE continued to be vital for writers of the first century BCE, especially in helping them to communicate strange and difficult ideas about their personal anxieties and concerns to public audience.
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Argues that the largest extant theatrical tradition of the third and second centuries BCE continued to be vital for writers of the first century BCE, especially in helping them to communicate strange and difficult ideas about their personal anxieties and concerns to public audience.
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