This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen.
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This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen.
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Recenzie