Starting from the premise that 'everything has meaning', this title analyzes Hitchcock's films, ranging from Rear Window to Psycho, and their ostensible narrative content and formal procedures to discover a proliferation of ideological and psychic mechanisms at work.
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Starting from the premise that 'everything has meaning', this title analyzes Hitchcock's films, ranging from Rear Window to Psycho, and their ostensible narrative content and formal procedures to discover a proliferation of ideological and psychic mechanisms at work.
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