This volume considers the development and practice of liturgical chant in Russia, including its origins, extant manuscripts, notation performance sylistic evolution, early composers, its relationship to the liturgy, the language and its various problems that arose over the centuries.
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This volume considers the development and practice of liturgical chant in Russia, including its origins, extant manuscripts, notation performance sylistic evolution, early composers, its relationship to the liturgy, the language and its various problems that arose over the centuries.
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