Recenzie A Theory of the Tache in Nineteenth-Century Painting

A Theory of the Tache in Nineteenth-Century Painting

A Theory of the Tache in Nineteenth-Century Painting

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Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet\'s and the Impressionists\' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as... prečítať celé 

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