Starting with three landscapes viewed as threatening by the Europeans who colonized them, this book examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities.
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Starting with three landscapes viewed as threatening by the Europeans who colonized them, this book examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities.
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