Examines drumming and beating as musical practice (musicological meaning), as the channelling of violence or shock (sociological meaning), and as a subjective, embodied agent (psychoanalytic meaning). This title contributes to the cultural studies, popular and critical musicology, the...
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Examines drumming and beating as musical practice (musicological meaning), as the channelling of violence or shock (sociological meaning), and as a subjective, embodied agent (psychoanalytic meaning). This title contributes to the cultural studies, popular and critical musicology, the theorisation of the body, and the sociology of music.
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