This Element offers a historical survey of the pioneering agency that the Boston Pops had under John Williams's tenure in the legitimisation of film music as a viable repertoire for concert programmes. The case study is complemented with more general discussions on the aesthetic of film music in...
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This Element offers a historical survey of the pioneering agency that the Boston Pops had under John Williams's tenure in the legitimisation of film music as a viable repertoire for concert programmes. The case study is complemented with more general discussions on the aesthetic of film music in concert.
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