The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art.
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The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art.
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