Examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs after Walker Evans - taken from Evans' famous depression-era documents of rural Alabama - became central examples in theorizing postmodernism in the visual arts in the 1980s.
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Examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs after Walker Evans - taken from Evans' famous depression-era documents of rural Alabama - became central examples in theorizing postmodernism in the visual arts in the 1980s.
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