What is an Author?.- Rethinking Art and Values.- Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object.- A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China.- Some Reflections on Confucian Aesthetics and Its Feminist Modalities.- Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting.- Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity.- The Notion of \"Orientalism\" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun.- Some Reflections on \"Feminist Aesthetics\": Private/Public? Personal/ Political? Gender/Post-Colonial? --- The Case of Young Women Art in Post-Colonial Hong Kong.- A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities.- The Trinity \"Hong Kong- China-The World\": The Battle of Cultural Identities as a Form of Hegemony in Art in Postcolonial Hong Kong (since 1990s).- Hong Kong Pavilion at the Venice Biennale As Method: The Case of Lee Kit Rights in Hong Kong.- Influence of Global Aesthetics on Chinese Aesthetics: The Adaption of Moxie and the Case of Dafen Cun.