Contents: Spike Lee: Foreword - Audrey Thomas McCluskey: Preface - Robin R. Means Coleman/Janice D. Hamlet: Introduction - Ronald Jemal Stephens: The Aesthetics of Nommo in the Films of Spike Lee - William A. Harris: Cultural Engineering and the Films of Spike Lee - R. Colin Tait: Politics, Class and Allegory in Spike Lee's Inside Man - Rachael Ziady DeLue: Envisioning Race in Spike Lee's Bamboozled - Tracey Owens Patton/Deborah McGriff: Ya Been Took, Ya Been Hoodwinked, Ya Been Bamboozled: Mau Maus, Diaspora, and the Mediated Misrepresentation of Blacks - Norman K. Denzin: Spike's Place - Kerr Houston: Athletic Iconography in Spike Lee's Early Feature Films - Mikal J. Gaines: Spike's Blues: Re-imagining Blues Ideology for the Cinema - Paula Massood: Which Way to the Promised Land? Spike Lee's Clockers and the Legacy of the African American City - Kara Keeling: Passing for Human: Bamboozled and Digital Humanism - Phil Chidester/Jamel Santa Cruze Bell: Say the Right Thing: Spike Lee, Bamboozled , and the Future of Satire in a Postmodern World - Ellen C. Scott: Sounding Black: Cultural Identification, Sound, and the Films of Spike Lee - Jasmine Nichole Cobb/John L. Jackson: They Hate Me: Spike Lee, Documentary Filmmaking, and Hollywood's Savage Slot - Mark Lawrence McPhail: Race and Sex in Black and White: Essence and Ideology in the Spike Lee Discourse - Sharon Elise/Adewole Umoja: Spike Lee Constructs the New Black Man: Mo' Better - Heather E. Harris/Kimberly R. Moffitt: A Critical Exploration of African American Women Through the Spiked Lens - Maurice E. Stevens: Subject to Countermemory: Disavowal and Black Manhood in Spike Lee's Malcolm X - Andrew deWaard: Joints and Jams: Spike Lee as Sellebrity Auteur - Mark P. Orbe/A. Elizabeth Lyons: Father, Husband, and Social/Cultural Critic: An Afrosemiotic Analysis of Children's Books by Spike and Tonya Lewis Lee - Yanick Rice Lamb: Spike Lee as Entrepreneur: Leveraging 40 Acres and a Mule - Filmography: Spike Lee: Cultural Provocateur.