Contents: Manon van de Water: Foreword - Beth Juncker: What's the Meaning? The Relations between Professional Theatre Performances and Children's Cultural Life - Tülin Saglam: TYA as Ideological Production in Turkey - Roger L. Bedard: Cultural Hegemony and Theatre for Young Audiences: Looking Beyond the Normal - Pamela Arnold Udoka: Conceptualization of Child and Childhood in Nigerian Theatre: A Dwindling Phenomenon? - Tristan V. Jacobs: The Virtual Puppet in the Machinima Movement: Discovering Virtual Puppetry in the 3D Performance Space of Video Games - Michelle Solberg: Quiet Dissent: Citizen Activism and the Kodomo Gekij Movement in 1960 - 70s Japan - Erika Hughes: Defining the Child: Taboos of Fear and Age Appropriateness in Youth Holocaust Drama - Finegan Kruckemeyer: The Taboo of Sadness: Why Are We Scared to Let Children Be Scared? - J. Andrew Wiginton: Príncipe y Príncipe: Made in México - Enza Giannone: Searching for America in Laurie Brooks's Triangle and Cynthia Mercati's Faces of Freedom - Roxanne Schroeder-Arce/Chris McCoy: The Chicken or the Egg: Latino/as in Theatre for Young Audiences, Cyclical Challenge in Higher Education in the United States - David Broster: TYA-UK Developments - Reflections through a Looking Glass - Iva Gruic: Educational Value in the Theatre for Young Audiences and Its Relation to the Attitudes of the Educational Community - YiRen Tsai: A Reflection of the Child and Childhood in Taiwanese TYA through the Winning Plays of The Taipei Children's Arts Festival - Merete Elnan: The Notion of Children: How Can the Idea of Childhood, of Children as Spectators, and of Understanding Influence Theatre for Young Audiences? - Faith Gabrielle Guss: Destabilizing Perception and Generating Meaning Seeking? Modeling TYA on the Dramaturgy of Children's Imaginative Play-Drama.