Content: I. When Incest Is Not A Taboo: Desire and the Land in Eugene O'Neill's Desire Under the Elms and Marina Carr's On Raftery's Hill - II. Remaking the Stage Irishman in the New World: Dion Boucicault's The Shaughraun , Edward Harrigan's The Mulligan Guard Ball , and Sebastian Barry's White Woman Street - III. Migrant Workers on Stage: Tom Murphy's Conversations on a Homecoming and Jimmy Murphy's The Kings of the Kilburn High Road - IV. A Russian Mirror to Ireland: Migration in Tom Murphy's The House and Anton Chekhov's The Cherry Orchard - V. South Africa, Racism, and Irish Sectarianism in Dolores Walshe's In the Talking Dark and Damian Smyth's Soldiers of the Queen - VI. Transnational Ireland on Stage: America to Middle East in Three Texts - VII. Peace and Beyond in the Middle East: Colin Teevan's War Trilogy - VIII. Voices from Two Theatrical Others: Labor Issues in the Theatres of Ireland and Taiwan - IX. Samuel Beckett in Taiwan: Cross-cultural Innovations and Significance - X. The Irish at Home and Abroad: Transnational Practices. Skryť popis