Argues that tourism, nostalgia, and authenticity converge in the creation of 'salvage tourism', which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
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Argues that tourism, nostalgia, and authenticity converge in the creation of 'salvage tourism', which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
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