This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and institutional demands placed on art. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised...
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This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and institutional demands placed on art. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised and produced?
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