This book delineates cinema in China prior to WWI into five periods and interprets this section of history under references of up-to-date early film theories. The spreading of cinema is treated as a continuation of the lantern tradition, and is contextualized and conventionalized in the late Qing...
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This book delineates cinema in China prior to WWI into five periods and interprets this section of history under references of up-to-date early film theories. The spreading of cinema is treated as a continuation of the lantern tradition, and is contextualized and conventionalized in the late Qing sociopolitical milieu.
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