Tracing its roots from the multiple-perspectives, montages and readymades of Marcel Duchamp, Kurt Schwitters and Hannah Hoch, to the present with its postmodern network culture, where remixing and co-production are the norm and the New Aesthetic seeks to harmonise the now-everyday crossover of the digital and the actual. The book addresses the development of détournement and deconstruction in art, architecture, music and society. Each chapter is a detailed, inclusive look at a cross-section of the main artists and thinkers that have embraced and developed all forms of mashup culture, since its inception in the late nineteenth century with Braque and Picasso's experiments into perspective. ' Skryť popis