During the Second Empire, from 1854 until 1870, the state had power over the Opera in ways that were without precedent. The Opera effectively became a branch of government. The result was a stagnation of the Opera's repertory, and beneficiaries were the composers of larger-scale works for...
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During the Second Empire, from 1854 until 1870, the state had power over the Opera in ways that were without precedent. The Opera effectively became a branch of government. The result was a stagnation of the Opera's repertory, and beneficiaries were the composers of larger-scale works for competing theatre organisations.
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