In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. One: Number 31 (1950), was among the largest of the paintings he produced by this method. This title offers an exploration of...
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In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. One: Number 31 (1950), was among the largest of the paintings he produced by this method. This title offers an exploration of the painting.
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